Thursday, May 01, 2008

Family Portrait Commission

My client decided to add a couple additions to the portrait to make the portrait more personalized for her friend. She added the cross to the mother's lapel as they have a very strong faith and she wanted to emphasize this in the portrait. After many attempts to try to add the cross in without drawing too much attention, we decided to place it on his mother's lapel...the obvious choice in the end! Funny how things just find their place :)

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Saturday, April 12, 2008

Family Portrait Commission - Sketch and Reference Photo




This is the start of my latest commission. It is a sketch of the grandparents, father and children which will be a birthday gift for the father from a very nice friend. The artwork is 15 x 19 on a sheet of 16 x 20 Arches Hot Pressed watercolor paper.


The layout took a bit of reworking both by the client and myself and I think it was well worth the effort. It has a very nice flow which draws the eye from the father around the portrait to the other family members.


As this is a larger commission, I will start with the grandparents and work my way down from right to left, top to bottom, to the kids, house & then the father to avoid smuding and keep the drawing fresh. Generally each portrait is completed to roughly 90% before moving onto the next and then final adjustments and tweaks are made at the end. Time to jump in!

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Tuesday, March 11, 2008

Group Exhibit at Place des Arts



The group that is exhibiting the Suite E Life Drawing group that I belong to. There are a ton of very talented artists in the group so when I moved to the area I was so excited to be so close to such a great pool of talent not to mention weekly live models!
I was also very excited (I get too excited about art ;)) to see one of my paintings used on Place des Arts website as it is my first real exhibit since I quite my day job (the one that supports my art addiction) to pursue art full time.
If you are in the area the opening exhibit is March 20 from 7:30 - 9 pm and there will be free appies and all of the artists will be there.

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Wednesday, October 03, 2007

Life Drawing Portrait in Graphite - Francis



This is a quick 30 min graphite portrait of Francis from my life drawing class that I recently started attending. Many of the pencil lines are not as soft and/or defined as I would like but hey, 30 minutes goes fast!

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Sunday, September 30, 2007

Life Drawing Portrait in Graphite


Well, it is week two of my life drawing class and I decided to focus on just the face for this one. I started quite small on this one not realizing that sustained pose meant for the whole night :) Of course, by the time I got to my second attempt I think I was too tired as he was starting to look very tired in the portrait ;) I used HB and 6B graphite pencils for this one. The likness is not too bad and I think the proportions are pretty close so I am happy with my attempt. Although, he has a bump in the bridge of his nose that I could just not capture .... I am sure I will get a chance to draw him again though :)


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Monday, June 11, 2007

1st Wedding Anniversary Graphite Portrait - wip3


S

till lots of tweaks to made to the bride as well but the main features have been blocked in. Several layers of H, B and HB graphite have been used to draw her skin and hair. The graphite pencil is then blended, features redrawn and blended again removing highlights where needed. Each pass further refines the features as the graphite absorbs into the paper. I will likely draw both of their faces to near completion and then move onto the rest of the portrait and then finish up with their faces again to keep the features crisp. As their faces are smaller than I generally work with I find that I am almost working in reverse for this portrait. Laying the features down and then removing excess graphite to refine their features more.

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Friday, June 08, 2007

1st Wedding Anniversary Graphite Portrait - wip1


I have drawn in the rough details of Bret's face and am building and defining his features as I go. Many details are off at this point as I refine them as I go. His eyebrow and goatee have been set in but need adjusting as well. The actual faces are much smaller than I am used to drawing which is a bit of a challenge so I am using B graphite rather than 2B to keep the details more crisp. HB graphite pencil is used for the tighter details and both have been blended and reapplied many times to build up depth.
This is kind of the ugly stage of the portrait for me as many things are so off that they scream at me but by the next update things will be taking shape nicely :)

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Thursday, June 07, 2007

1st Wedding Anniversary Graphite Portrait




This is the graphite sketch for a commission that will be a gift for a first wedding anniversary. I was not able to capture all of the portrait with my scanner as it is 11x14 and my scanner...even though it says it scans A4...seems to not want to go larger than 8.5 x 11 argh, may be time for a new scanner ;)


I have transferred the drawing onto the watercolor paper and have darkened the outline of the bride and groom with HB graphite pencil. The background is hard to see right now but is sand and rocks with will be loosely drawn in.


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Tuesday, April 10, 2007

Anniversary Graphite Portrait - WIP #5


The drawing process is the same for the groom, just adding the skin tone in layers using mostly 2B and HB graphite pencils and blending to build up the layers and hone the features of his portrait.
It looks pretty rough right now as there are many areas in different stages of completness, next update should look more cohesive.

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Saturday, March 10, 2007

Learn to Draw - Blind contour drawing exercise

Anybody can learn to draw, the key is to lean to observe what you see. If you want to increase your observations skills, try doing some blind contour drawings. Blind contour drawings are done by drawing an object without ever looking at the paper. The final drawing is not important, although you may be surprise at how recognizable the object is when you are done. The most important thing is to carefully observe the object and don't rush, just take your time and don't peek!

I like to draw my hand as it is always available and the possibilities are endless depending on how your hand is positioned. Place your hand in a comfortable position and put your graphite pencil on your paper. If you are not using a drawing book, you may need to tape your paper to your drawing surface so that it does not slide around. I usually start at the bottom of my hand near the wrist and work my way up from there. Just follow the line of your wrist very slowly allowing your pencil to follow every nook and cranny of your hand.

The more detail you can capture the better. The line must be continuous (i.e. don't lift the pencil) but can go back and forth the capture details such as folds of the skin etc. Once you are done, take a look. It is surprising that areas often look complete as though you had been looking at the paper the whole time! Try different objects, plants, flowers, dishes etc. This is also a good way to get loosened up before starting a drawing session. Practice, practice, practice :)

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Sunday, July 24, 2005

Graphite & Charcoal Materials Tutorial

Drawing Surface
My favorite drawing surfaces are smooth or medium bristol board and arches hot pressed watercolor paper. The watercolor paper provides more tooth for the graphite and charcoal to settle into.

Pencils
Any artist grade pencils will do. Experiment to find a brand that you feel comfortable with. I generally use F for the initial drawing as it erases easily without too much damage to the paper. I also like to use mechanical pencils as well as regular pencils as they maintain their shape well.

Charcoal

Again any artist grade charcoal that you can find will work well. The degrees of hardness ranges from HB (hardest) to 3B (softest).

Erasers

I use mak tak as a kneaded eraser. You can buy it at any stationary store. It is used for tacking pictures to walls but it works perfectly for lifting graphite and/or charcoal from drawings and for erasing.

Blending Stumps

Soft paper felt with double pointed ends used for blending. If the point wears down you can use sand paper to repoint.

Tortillions

Soft rolled paper with pointed end used for blending

Chamois

For the smoothest blending and to lift off extra graphite or charcoal.
Tissue PaperFor a rougher blending effect and to lift off extra graphite or charcoal.


Miscellanesous

Tracing paper to draw original artwork on, transfer paper, masking tape for holding template in place, drafting brush to remove eraser and graphite residue, chamois for blending

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